Tuesday, December 26, 2006
Martial Arts Video Downloads are Here!
Muay Thai Fights #1 video download
Taegeuk Poomsae 1-4 video download
Taegeuk Poomsae 5-8 video download
Palgwe Poomsae 1-4 video download
Palgwe Poomsae 5-8 video download
Beginner Karate video download
Isshinryu Karate Kata video download
Championship Taekwondo Drills video download
Advanced Joongbong Combat video download
Advanced Joongbong Patterns video download
Joongbong Close Combat video download
Junsado Combat Conditioning Workout video download
Junsado Fundamentals video download
Junsado Standing Combat video download
Junsado Ground Combat video download
Ssangbong Fundamentals video download
Ssangbong Combat video download
Ssangbong Patterns video download
M0re titles are being added daily. Is there a title you'd like to see available for download? Send us an email.
Wednesday, December 20, 2006
Muay Thai Fights #1 DVD shipping today
Friday, December 15, 2006
New Article: Continuum of Force
New Article: Movement Principles of Taekwondo Poomsae
Wednesday, December 13, 2006
Final holiday shipping deadlnes
Thursday, December 14th is the final shipping day for: Priority mail, EMS (international) and UPS ground shipping.
Between December 15th and December 20th, UPS 2nd Day air is the only shipping method that will arrive by December 24th.
Monday, December 04, 2006
Muay Thai Fight DVD previews posted
Both DVDs were filmed on location in Thailand and give you a ringside side for 6 hard hitting Muay Thai bouts. These fighters are determined to impress the crowd and era a ticket to Bangkok so the action is fast and furious.
Zen Man reviewed in Taekwondo People
Friday, December 01, 2006
Book Preview Pages
Ultimate Flexibility
Complete Taekwondo Poomsae
Science of Grappling Throws & Takedowns for Self-defense
More coming soon!
Thursday, November 30, 2006
New Chinese DVD Previews
Shaolin Kung Fu Spear DVD
Shaolin Arhat Boxing Form DVD
Chen Tai Chi Old Frame DVD set
Wing Chun Footwork DVD
Wing Chun Seeking Bridge DVD
Wing Chun Biao Zhi DVD
Muay Thai Fights # 1 DVD (improved version of this coming soon)
Bagua Fundamentals DVD
Xing Yi 12 Animal Fists DVD
Choy Li Fut Chi Kung Ball
New DVD: Tai Chi Fan Form
This DVD has English, French, Spanish and Chinese audio tracks as well as a printed booklet (inside the DVD case) with a description of the form in all four languages.
Wednesday, November 22, 2006
New DVD Previews Posted
Bagua 8 Door Conditioning DVD Preview
Chinese Wrestling DVD Preview
Southern Style Kung Fu DVD Preview
Bagua Old 8 Palms DVD Preview
Wing Chun Elbow & Kicking DVD Preview
Xing Yi 5 Elements DVD Preview
Tai Chi Fan Form DVD Preview
Bagua Single 8 Forms DVD Preview
Choy Li Fut Chi Kung DVD Preview
Xing Yi 8 Fists DVD Preview
Tuesday, November 21, 2006
Shaolin Kung Fu Forms DVDs
Just released: Isshinryu Kata DVD
Monday, November 20, 2006
Sang H. Kim Article in January Taekwondo Times
Friday, November 17, 2006
Just released: Beginner Karate DVD
New Book: Complete Taekwondo Poomsae
This book will be released in January 2007. Preorder your copy today to save $10 off the regular cover price.
Monday, November 13, 2006
New Chinese Martial Arts DVD Previews added
Wing Chun Palm Techniques DVD
Bagua Zhang 8 Door Conditioning Exercises DVD
Shuai Jiao: Chinese Wrestling DVD Set
Southern Boxing: Nan Quan Kung Fu DVD
Wednesday, November 08, 2006
Now available: On Combat
Monday, November 06, 2006
Preorder & Save: Championship TKD Drills DVD
Friday, November 03, 2006
Chinese Martial Arts DVD Previews Added
Choy Li Fut Dragon 18 Form DVD
Choy Li Fut Sparring and Little Arhat Boxing DVD
Muay Thai From Northern Thailand DVD
Wing Chun Little Fist DVD
Bagua Zhang Footwork DVD
More to come next week.
Great news: In just 3 weeks we've had over 30,000 views of our DVD preview clips!
Wednesday, October 25, 2006
Preorder & Save: Beginner Karate DVD
Save $5.00 when you preorder the new Beginner Karate DVD by Sensei Mike Reeves. Learn the basic blocks, strikes, kicks and sparring techniques of karate from a world champion instructor. At only $14.95 this a great bargain.
Monday, October 16, 2006
Preorder & Save: Isshinryu Kata DVD
- Seisan Kata
- Seiuchin Kata
- Naihanchi Kata
- Wansu Kata
- Chinto Kata
- Sanchin Kata
- Kusanku Kata
- Sunsu Kata
Friday, October 13, 2006
Weight Training: How often is enough for MMA training?
Question: I train in MA 3 days workouts lasting about 1 1/2 hours since I utilize the jump rope as my warmup, these sessions are also my ONLY cardio work. How many days weekly should I weight train for size and strength without worrying about overtraining? Thanks for your input.
Loren's Answer: First, know that it's a little difficult to put on a lot of size when you're doing a lot of cardio. In bodybuilding, it's recommended that the trainee eliminate cardio during the period in which he is specifically trying to pack on size. The thought is that all energy and calories should go into rebuilding the muscles after a strenuous resistance workout.
But I'm assuming you're not trying to be Mr. Olympia; you want to add some strength and size to give extra authority to your punches, kicks and grappling. That you can do, but you must do it wisely.
- Keep your weight training basic: benches, rowing, curls, triceps and squats.
- Go heavy so that you have to really grunt on your last repetitions, make it the 6th, 7th, and 8th ones.
- Do 3 or 4 sets per exercise, just one exercise per body part.
- Do these twice a week so that each body part is hit two times a week. If one week you can work each body part only once, no problem. You won't lose anything and you’re likely to even gain a little. During one six-month period I lifted only once a week and made nice gains. I've even heard of lifters making gains in their squats lifting once every 10 to 14 days.
- If you want to put on some extra weight, increase your calories by 300 to 500 per day. In a week to 10 days you should be packing around an extra pound.
And don't blame me if you have to buy bigger shirts in three months and you start bursting open heavy bags at their seams. At the risk of sounding commercial, all these tips and a lot more can be found in The Fighter's Body by Wim Demeere and me, available right here at Turtle Press.
Train hard!
Loren
www.lwcbooks.com
Thursday, October 12, 2006
New Improved Video Preview
most popular titles. Now you can preview dvds right on the product page, with no pop-up windows or special software required. Simply click on the "Preview Now" button right under the DVD cover image and then press the Play button.
Try it out for yourself, by previewing Mike Reeve's upcoming Isshinryu Kata DVD. Just press the play button below.
You can also share DVD previews with your friends by clicking the share button or add them to your favorites or playlists at YouTube.com
Monday, October 09, 2006
Conserve Energy when you Kick
Kicking takes more energy than striking. This is because the legs are heavier than the arms. Energy, when kicking, is conserved by relying on principles of physics that allow you to use as little effort as possible. Energy is also conserved by kicking when your opponent is moving into the kick’s path of power. This allows you to use less of your own momentum to achieve an overall stronger momentum.
Body mechanics for energy conservation:
1. The side kick takes less effort to land when your opponent is slightly toward your back rather than your front. This is because the kick is usually thrown with your lead leg, with your opponent lined up with your hips.
2. The spinning back kick should be thrown when your opponent is moving into its path of power. Energy is conserved by spinning less than 180 degrees. If you spin more than 180 degrees, you will be chasing your opponent with the kick.
3. If your opponent moves toward your front, it would be economical to throw a round house kick.
4. Energy can be conserved by dropping an axe kick on your opponent’s guard and bringing his upper body forward and into your follow-up strike.
Friday, October 06, 2006
Zen Man Reviewed in Black Belt
The reviewer goes on to give a detailed breakdown of the film's strong and weak points, wrapping up with: "[Sang H.] Kim is the best thing about Zen Man. From his acting to his directing, the martail arts master shows us the potential of what a little money and a lot of passion can breed on-screen. With a bigger budget, better supporting players and help with the writing, Kim should be able to produce a movie to match his versatile skills."
Wednesday, September 27, 2006
Exclusive Interview with Sang H. Kim :: Part 4
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Q: In addition to martial arts, Han also practices calligraphy in the movie. Are the two related?
SHK: I'm glad you asked that, because you're right, they are related. Traditional calligraphy is a significant method of mental practice. Taoists believe that writing is a reflection of the mind. Like martial arts, it requires total concentration. Each stroke in calligraphy is like a basic movement in taekwondo, a kick or punch or block. Once you learn the basics, you can combine them freely and create art. Ultimately, the goal is to write whole heartedly but without attachment to the individual strokes just as in sparring or defending yourself, you need to concentrate fully on the moment but be free from your environment. Calligraphy is a kind of moving meditation. It focuses and calms the mind.
Q: There is also a scene in the movie that makes it seem like there is something hidden in the characters that Han writes.
SHK: Many of the characters that he practices, including the one that he teaches Antonio, are actually striking techniques that can be used to attack with the short stick or sword. So while it appears that Han is a man of peace, he is secretly preparing for war.
Q: It's interesting how martial arts are part of everything in the movie, even when people are not fighting.
SHK: For a martial artist, I think our training is part of everything we do in life. I particularly found three elements that were the same in filmmaking and taekwondo. The first is fitness. I trained for over a year specifically for this movie. By the time we started shooting I literally felt like I was in the same shape as when I was competing in my teens and early twenties. Not only was I training for the fight scenes but for the long days on the set and the many repetitions of every scene. Fitness is the foundation – something solid to build everything else upon. The second is techniques or knowledge. Understanding the basic techniques and being able to apply them in a real life situation is essential. So techniques are like wings that give us the ability to fly as high and as far as we desire. And finally there's discipline, which ironically allows us to be free. Some people ask me how can you be free and be disciplined at the same time, but when you think about it, it makes perfect sense.
Q: What is it that you'd like viewers to take away from this movie?
SHK: That true revenge is not accomplished by avenging something but by resolution within yourself.
Friday, September 22, 2006
Exclusive Interview with Sang H. Kim :: Part 3
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Q: Tell us a little about your martial arts background, especially before you came to the
SHK: I began training when I was four years old. I was the fourth of five brothers, so all of my older brothers were already training in wrestling, judo and hapkido. At first I mimicked their movements and tried to fight with them. My serious training began in middle school as a member of Dalsung Taekwondo team, competing against other middle school teams. In high school, when I was a fourth dan black belt, I was very reckless in my training. I had so much energy and athletic ability that I constantly challenging myself but often I ended up injured. For example, when I was training at a Jidokwan school in Daegu, I was practicing jumping spinning whip kick by kicking a piece of bicycle tire inner tube that I'd hung from the ceiling. It was very high and I tried and tried and finally kicked it but at the same time, I got my foot tangled in the tubing and I landed upside down, hitting my head on the concrete floor. Later, some of my fellow black belts found me and rushed me to the hospital.
Q: Did you ever think about quitting after getting seriously injured like that?
SHK: No, in fact in college I became even more interested in taekwondo and began teaching CID (Criminal Investigation Division) agents at
Q: Is it true that all Korean military personnel are black belts?
SHK: Yes they are. When I was in the military, we woke up at five AM to run. Then we did taekwondo training for an hour and then in the evening we had small group training for combat specific skills. Since I was a special agent in a counterespionage unit, we trained not only in taekwondo but in firearms and lethal hand-to-hand skills. At one point during my service, I was assigned to a prison detail which was a very dangerous job. There were thousands of violent criminals held in an isolated area in the mountains. During that time, my life was threatened many times and I had almost daily opportunities to use my martial arts skills. It was during this time that I began formulating Junsado, which I used extensively in
Q: What is Junsado?
SHK: Junsado is the way you see a conflict and resolve it efficiently. The means include direct and indirect tactics to neutralize or subdue the opponent. Jun means combat, Sa means expert and Do is the way so it is literally The Way of the Combat Expert. It is about finding the right strategy to resolve the given situation.
Q: Why did you use Junsado in Zen Man?
SHK: In many of the scenes, Han fights against multiple assailants at once. He needs strategy to survive. He uses the terrain and takes advantage of range fighting. Junsado has four ranges: neutral, long, medium and short. At long range, he positions himself to manipulate the formation of the assailants to his advantage. At short range, he uses surprise tactics, for example turning his back on an assailant then thrusting to the rear with his wooden sword. He also uses his Ssang Bong (double sticks), which is a style of using two sticks in a symmetrical way that I've developed over the past twenty years. It's a uniquely Korean style, the only Korean art that uses two sticks at the same time.It's very different from Kali or Arnis because it uses two different grips: one straight grip and one reverse grip. This allows you to initiate action with one stick and then accelerate the movement of your body for the second strike and third strike and so on, making it a fast powerful versatile weapon. It's a very unpredictable way of attacking and defending. Well, if you want to see what I mean, watch the movie.
Wednesday, September 20, 2006
Exclusive Interview with Sang H. Kim :: Part 2
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Q: This is your first movie, but you've had a lot of experience in front of and behind the camera, right?
SHK: I've produced over a hundred martial arts instructional DVDs and documentaries and I've made a few short films for classes and workshops, so I'm familiar with the technical aspects of filming but making a movie has been a great change of pace.Writing the script, designing shots, making storyboards, scouting locations, organizing the crew, auditioning actors, supervising the editing and music composition are all very complicated in film production, much more so than any other project I've done to date. It's been a great learning experience and I've gotten to work with a lot of knowledgeable and talented people.
Q: Tell us about the martial arts that you used in the film.SHK: I used a mixture of taekwondo, which has exciting kicking techniques that look impressive on the screen, and my own system called Junsado. In the beginning of the film, the villain injures Han, taking away the use of his left arm. For two years, he trains with only his right arm using a variety of weapons. For many of the film's fight scenes I was limited to using only one arm. I have been fighting all my life with two arms, so it was strange to do everything with one arm for this role. To move as fast and powerfully as the men I was fighting, I had to adjust my stance and footwork and develop a lot of unorthodox fighting skills. So in the movie, Han's fighting method is very strategic and relies on a mixture of kicking techniques and weapons.
Q: That is an unorthodox mixture.
SHK: It is but it works surprisingly well. I wanted to give the audience an idea of how a skilled martial artist can switch gears fluidly, using whatever is necessary for the situation. Han is not as big or as ruthless as some of the villains he faces, but he gets the job done in the end. A true master should be able to adapt to any situation and use what's at hand to prevail.
Friday, September 15, 2006
Exclusive Interview with Sang H. Kim :: Part 1
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Q: Tell us a little about your film,
Sang H. Kim: Zen Man is the story of Han who is a master of martial arts and traditional calligraphy. He is living his life in seclusion, taking care of his niece, when the son of one of his former students shows up. The young man, Antonio, is seeking revenge against his father's killer and he asks Han to resume his martial arts training. When Han refuses, Antonio decides to take matters into his own hands and Han is ultimately forced to act before Antonio endangers anyone else.
TKDT: Where did the idea Zen Man come from? SHK: When I was a little boy, I was hyperactive and sleepless. My grandmother used to tell her bedtime stories to keep my four brothers and me quiet. One of her stories has stuck in my mind for a long time, the story of my grandfather who survived in a foreign and hostile environment inSHK: I've loved movies since I was a little boy. My father used to show "one penny movies" in many of the villages surrounding ours in the 1960s. He would carry a projector in his truck and set up a white sheet for a screen and charge a penny for admission. Then, when I was a bit older, one of my brothers took me to the theater to see Enter the Dragon, with Bruce Lee and I was fascinated. I was a third degree black belt in taekwondo at the time and I was amazed by Bruce Lee's skills and screen presence. So I guess movie making is something I've wanted to do since childhood, as a dream, and in a professional sense, it's something I've been preparing for over the last 15 years.
Wednesday, September 13, 2006
Defending against a possible knife attack
Say a street person is threatening you and you notice a knife sheath on his right hip. It’s time to move the potential target - your body - but you have to decide in which direction. Since we aren’t there to see all the variables that can affect your decision, here is some food for thought. You can:
• Sidestep to position yourself away from the weapon.
• Since it’s arguably easier for him to slash with the blade across his body than it is to slash to the outside of his body, see if moving to the same side as the weapon is an option.
• Step in close to the weapon in preparation to jam the blade should he reach for it. The negative with this option is that you are close and can be punched with his other hand. No one said life would be easy.
• Look for something you can use for a weapon: chair, lamp, your belt, coat, and so on.
• If your avenue of escape is blocked, assume your deescalation stance and use your verbal judo as you maneuver yourself to where you can flee.
• Consider attacking. If he says he is going to stab you, know that his brain is either occupied with noting your reaction to his threat or with the process of reaching for his weapon. That is the moment you jam his arm and strike his eyes or throat.
• The instant he reaches for the blade and you are close to that side of his body, jam his arm, gouge his eyes or punch his throat. If you are on the other side, out of reach, go for the eyes or throat. In either case, make your move the instant he moves. Don’t wait for him todraw the knife.
Tuesday, September 12, 2006
Martials Arts DVD Preview Disc
The Turtle Press Preview DVD features a 30-90 second highlight clip from each of 60 martial arts titles. View the complete list here.
New Lower Price: Zen Man 2-DVD Set
Friday, September 01, 2006
Just Arrived - Bargain Basement Books
Friday, August 25, 2006
SAVE 10% ON EVERYTHING WE SELL - NOW THROUGH SUNDAY
Tuesday, August 22, 2006
New Martial Arts Book and DVD Sets
Martial Arts Instructors Book and DVD Set: Hundreds of teaching and school management tips, ideas, strategies and variations you can start using immediately in this 2 book and 1 DVD set.
Martial Science Book Set: Discover the scientific theories that make the martial arts so effective and learn how to apply them in your daily training.
Monday, August 14, 2006
Armlock Encyclopedia book now available
Friday, August 11, 2006
Cane for Self-defense DVD Shipping today
We've moved!
Turtle Press
PO Box 34010
Santa Fe NM 87594-4010
phone: 800-778-8785
fax: 815-572-9533
Our website and email contact information remain the same.
Friday, July 21, 2006
Preorder and Save: Cane for Self-defense DVD
Wednesday, July 19, 2006
Making Armlocks work in Sport Grappling
Two core skills for every successful armlock are (1) Position and (2) Set-ups. Following is an explanation of these two core skills and why they are so important.
We all have heard the old saying in real estate; if you want to sell property, the three most important things are location, location and location. It’s the same thing in judo, jujitsu, sambo, and any form of grappling. It could also be easily said for any form of personal combat. If you’re not in the right place at the right time, and don’t put your opponent in the wrong place at the wrong time (for him), your throw or hold won’t work...period.
Read the complete Armlock Fundamentals article by Steve Scott, author of the Armlock Encyclopedia.
Tuesday, July 18, 2006
Preorder and Save: Armlock Encyclopedia
Thursday, July 06, 2006
Coming soon: Cane for Self-defense
What is the difference between pushing kick and front kick?
Sang H. Kim answers:
Pushing kick is different from front kick in two ways: Front kick's trajectory is simultaneously circular and upward to the target; pushing kick has two segments - you chamber the leg by bending your knee then push the target with either the ball of the foot or entire bottom of the foot. The targets are the lower stomach, pelvis, or chest.
The variations are: side pushing kick and diagonal pushing kick. The diagonal pushing kick is done from fighting stance by pushing the opponent's thigh with your toes facing out/upward and heel facing down/inward. It is often dangerous to use for your own safety, thus rarely used, but effective. Caution: it can hurt your knee joints and your opponents' too.
Friday, June 30, 2006
7 Scoring Tips for Taekwondo Sparring
- Counterattacking has a better chance of scoring than attacking for advanced competitors.
- Beginning and intermediate competitors are most likely to score with single direct attacks.
- In a close match, an attacking fighter is more likely to win that a counterattacking fighter unless the counterattacker can score a knockout.
- The most frequently used attacks are roundhouse kick, back kick and axe kick.
- Successful competitors can effectively counter these kicks.
- The side kick and front kick are rarely used in competition any more and are highly unlikely to score points.
- The roundhouse kick is the preferred kick for scoring, followed by the back kick and axe kick.
Friday, June 23, 2006
New ITF Taekwon-do Patterns DVD Set
Friday, June 16, 2006
Preorder and Save on Tonfa DVD
Tuesday, June 13, 2006
Zen Man Soundtrack Released
Monday, June 12, 2006
Official Limited Edition Zen Man T-shirts
Friday, June 02, 2006
Forearm Strikes: Drills for the Heavy Bag
Here are two simple forearm strike drills that Loren suggests adding to your heavy bag workout:
Forearm from behind
Face your imaginary opponent in your fighting stance. Step forward and drive a right reverse punch into his chest, followed by a left elbow to his ear. Whip your right arm around behind his head and snap the inside of your forearm into the back of his skull. He can’t defend against the elbow because he can’t see it. Work to make the combination flow smoothly.
Air: 3 sets, 10 reps – both sides
Bag: 3 sets, 10 reps – both sides
Face your imaginary opponent in your fighting stance, left leg forward. He throws a reverse punch that you slap to the right with your lead hand, but he continues to move forward, and before you can retract your blocking hand so as to backfist him, he is too close. No problem, you still have the outside of your forearm, which you ram into the point of his nose.
Air: 3 sets, 10 reps – both sides
Bag: 3 sets, 10 reps – both sides
Wednesday, May 24, 2006
Knee pain after training? Be sure to warm up
1. Sit down on the floor, put your hands behind you on the floor comfortably, and stretch your legs forward.
2. Breathe deeply in and out a few times and shake you legs off by lifting your legs up and down gently. You may begin with the left leg then right leg repeatedly 10 to 15 times.
3. Rotate your legs inward and outward 10 to 15 times.
4. Lie back with your arms wide open on the floor, raise your legs vertically. Wait 10 to 15 seconds and feel the leg muscles starting relaxing.
5. Do bike riding in the air 30 to 60 times according to your inclination of the day.
6. Put down the legs and relax for 60 seconds and breathe deeply.
Sambo Book Released
Wednesday, May 17, 2006
Sparring Combinations: 4 to Get You Started
1) lead hand jab + rear hand punch + rear leg roundhouse kick
2) front leg roundhouse kick + lead hand punch + rear hand punch
3) front leg roundhouse kick + rear leg roundhouse kick + lead/rear punch combo
4) switch stance + front leg hopping side kick as you progress with your coordination
Practice 3 sets of 10 for each combination 3 times a week. Within 12 weeks you should be able to apply all 4 combinations in sparring with speed and power. Once you have these down, check out Top 100 Scoring Techinques DVD for more advanced combinations.
Friday, May 12, 2006
Push-ups: Max out Your Reps
- Start with a good diet and plenty of rest, many people overtrain.
- Start lifting weights using a weight that enables you to perform at least 4 but not more than 6 reps for the pecs, tris, and delts. Either work them in that order each day you train or train them on different days. (Explanation - if you tire your triceps and then go to bench to work your pecs, you won't be able to give your pecs an adequate workout because your triceps will be the limiting factor in your bench.) Rest 2 to 3 minutes between sets.
- When you hit a plateau, change the exercises (flys for bench) and/or your schedule (1, 2 or 3 workouts/week per muscle group).
- Keep this up until you hit a final plateau, then add plyometrics and repeat.
- Next final plateau, add dynamic weight training and repeat.
- Don't forget mental training. Psyche yourself up. If you did 5 reps the last time, mentally train yourself that night and prior to the set on your next day's training to do 6 reps, or 5 reps with a couple more pounds.
- If push-ups hurt your wrists, turn your hands out so that the fingers point toward 10:00 and 2:00 o'clock instead of at 12:00.
Tuesday, May 09, 2006
Zen Man DVDs Shipping Today
Monday, May 01, 2006
New Training Article: Intro to Sambo Groundfighting
Friday, April 28, 2006
New Chin Na DVD from China
Thursday, April 27, 2006
How to determine your ideal fighting weight
Not sure what weight class you should be competing in at your next martial arts tournament? Loren W. Christensen and Wim Demeere, authors of The Fighter's Body, offer this rule of thumb:
Begin by measuring your body fat percentage. It’s recommended that a competitive fighter have less than 15 percent. Now, some fighters feel comfortable carrying more, but they should know it’s useless weight that slows and inhibits their mobility, and decreases their overall effectiveness. “Sure, I got a belly, but I’m really fast,” some argue. Great, but how much faster would they be without the tummy to lug around? Extra weight is something you want your opponent to have, not you.
Seven percent body fat is as low as you should go. Lower, and you risk serious health problems. Yes, competitive bodybuilders often drop to three or four percent, but they remain there for only a few days, sometimes only the day of the contest. Carrying 15 percent is comfortable and easy to maintain.
Tuesday, April 25, 2006
Coming soon: Championship Sambo
The leg and arm locks of sambo are a great addition to every grappler's toolbox. Author Steve Scott covers the essentials with an emphasis on technical precision and developing solid core skills.
Thursday, April 20, 2006
Martial Arts Injury Care: Patellar Tendonitis (Jumper’s Knee) & Osgood Schlatter’s Disease
Many jumping sports get a condition known as patellar tendonitis, or jumper’s knee, from repetively jumping on a hard surface, putting stress and strain on the patellar tendon which attaches the four large quadriceps muscles (on front of the thigh) to a small bump (tibial tuberosity) just below the patella (kneecap). Pain is normally localized around this bump and the space between the patella and the bump just below the patella. Others get a similar pain because the bones of their legs are growing faster than the muscles can accommodate for, causing pain in the knee and just below in the area of the bump that the patellar tendon attaches to. This condition is most often seen in males, ages 10-15 years of age who have had a dramatic growth spurt in a short period of time. Martial artists are prone to both, even though it is not a jumping sport per se. A lot of the agility drills as well as jumping rope, can have the same effect, especially if they also run on a hard surface, such as concrete or asphalt.
Now generally the best thing to do is to rest and ice these injuries, but sometimes practice and competition schedules are not that accommodating, and a pacifier for the injury is needed. You can purchase commercially produced CHO-PAT® straps, those brown straps that you often see basketball players wearing around the leg just under the knee, to help reduce the pain. You can also use pre-wrap, applied before any type of workout using the following technique:
1. Using pre-wrap, circle the leg 10 times just below the patella (kneecap), being careful not to pull tight.
2. Then take your hands and “roll” the pre-wrap down from the top and up from the bottom until you have a “strap”.
3. To loosen, place your fingers between leg and strap and pull, stretching it to your own comfort. Simply tear to remove.
Wednesday, April 19, 2006
Final VHS Video Clearance Sale
Power Breaking video $5.95
WTF Black Belt Poomse Vol. 1 video $5.95
WTF Black Belt Poomse Vol. 2 video $7.95 (only 1 left in stock)
Tai Chi: Chen Style video $5.95
Tai Chi:Yang Style video $7.95 (only 1 left in stock)
Power Strength Stamina video $5.95 (only 1 left in stock)
Taekkyon Vol. 1 video $7.95 (only 3 left in stock)
Taekkyon Vol. 2 video $5.95
Muay Thai Knockout 1 video $7.95 (only 3 left in stock)
Traditional Korean Weapons 1 video $7.95 (only 1 left in stock)
Traditional Korean Archery video $7.95
Warrior Arts of Korea video $5.95
Taekwondo Hand Skills video $5.95
Police Tactics One video $5.95
Perfect your Kyorugi Kicking video $5.95
Taekwondo Hanmadang video $7.95 (only 2 left in stock)
Tuesday, April 18, 2006
Preorder New Martial Arts Movie and Save
In this special 2 disc deluxe edition, you get the full length wide screen version of Zen Man plus a second disc loaded with behind the scenes footage, "making of" featurettes, a look at the martial arts used in the movie and more. Don't miss out on the debut feature film from Sang H. Kim.
Monday, April 10, 2006
Ultimate Flexibility released in Spanish Language
Wednesday, April 05, 2006
How fast do you lose strength gains?
Thursday, March 30, 2006
Increase the height of your side kick
1) Do horse riding stance in comfortable position - 1 minute
2) Do horse riding stance in a deep stance (without knee pain) - 2 sets of 30 seconds
3) Squat down and hold your ankles breathing deeply - 2 sets of 30 seconds
4) From #3 posture, put both hands on the floor in front of you, slide your right foot to the right all the way and stretch your right leg, then bring back the right leg and repeat to the left with your left leg - 2 sets of 30 seconds each side
5) Have a rest for 30 seconds - walk around while breathing deeply. You may shake your legs and ankles occasionally to loosen up the muscles and joints.
6) Hold a stable bar, chair or table, and do a slow raising right side kick. Hold in the air as long as you can. Repeat the left side the same way-minimum 3 sets of 15 seconds on both sides.
7) Finish by practicing your normal side kick in the air or to a heavy bag.
I recommend doing the above 3 times a week for 12 weeks. It is important to know your limits and progress from there. Monitor your progress weekly. You may keep a journal and see what you accomplish in about 3 months.
Thursday, March 23, 2006
New Book and DVD Sets Offered
Wednesday, March 22, 2006
New DVD set: Shuai Jiao: Chinese Wrestling
Tuesday, March 14, 2006
Boxing: Cutting off the Ring
"This technique is used to slow down and contain a fighter (trapping him) with a boxer’s style, so you’re able to catch him. It is very effective at taking the ring away from him, so he is unable to stick-and-move or range fight you. Control the real estate in the ring!"
Tips for cutting off the ring:
- Imagine the ring divided into boxes, like a cross where the lines meet in the center of the ring (+). Never let your opponent turn and cross a line. Cut him off by mirroring, not following him.
- Stay even with him and stop his movement by throwing hooks in the direction he wants to move (hook him off).
- When you have him in the corner think of a triangle and keep him contained in it.
- Also give him small boxes to work in, not allowing room for him to roll out.
- If he turns a corner and passes over your imaginary line, immediately adjust and start a new one.
- Move forward and to the side, not backward.
Friday, March 10, 2006
The Bargain Basement is bursting!
Tuesday, February 28, 2006
Visualization exercises not working?
I would recommend first taking more time on the first step to effective visualization: relaxation. Go through the exercises listed in the book for step by step relaxation before attempting any visualization. Adequate relaxation is a must to engage the right brain dynamics necessary for this technique.
Second, I would suggest trying to concentrate more on how the mental image feels rather than stressing the actual mental picture. If imaging a kick, try to sense how your supporting leg would feel, how your hips would turn with the action and the position of your back and shoulders. Some practitioners are simply more kinesthetically (physically) oriented and will ingrain techniques more effectively through sensation than by visual cues.
Saturday, February 25, 2006
VHS Video clearance sale
Monday, February 20, 2006
5 Tips for High Kicks
- Build strength with flexibility, both through kicking drills and resistance and flexibility training. One of the primary reasons high kicks are so challenging is the sheer weight of your leg. To propel the full weight of your leg into a vertical side kick relies as much on the strength of the muscles as on their range of motion.
- Bungee cord training (a bungee cord wrapped around your ankle and secured to the floor) builds flexibility in motion. Like running in sand or up hills, this type of training will build the large muscles of the leg in a very specific way. During bungee cord training, 75% of your regular kicking height is a good goal.
- Quick focused kicking movements are better suited to high kicks than large or slow movements. Chamber your leg quickly and compactly.
- The knee of your standing leg should be slightly flexed, both to allow you to kick higher and to prevent knee injuries.
- The maximum force of a high kick is exerted just prior to impact. Whip the target rather than smashing through it. Kicking too hard will disrupt your balance and cause you to lose control of your kick after impact. Withdraw the kick immediately after impact, focusing on a light follow-through after the full dissipation of energy into the target.
New Lower Prices on Many DVDs
Tuesday, February 14, 2006
Sparring Drills: Improve your Reaction Time
The first is to respond passively; the second is to do it actively. Passively means just block and hit back. Actively means to counterattack followed by quick bodily movement such as footwork or weaving the body to avoid the opponent's attack then hit back. Moving and hitting happens almost simultaneously. I recommend an active response since it reduces your mental reaction time as well as any physical delay in motion."
Here are three drills to practice active counterattacking and improve your reaction time:
- From fighting stance, slide back 6 to 12 inches very quickly, then move to the side (to the right if you are right handed fighter) at a 45 degree angle. Do 20 to 30 reps.
- From fighting stance, slide back as in Drill 1, then make a quick rear leg roundhouse kick to the front. Do 20-30 reps.
- From fighting stance, side step 45 degree to the right rear, and do the same round house kick as quickly as possible. Do 20-30 reps.
Friday, February 10, 2006
Jab Strategy
1. The jab keeps an opponent in a defensive mode, breaking his rhythm and timing. Throwing it does not alter your defensive position or stance so throw it often.
2. Measure distance or drive opponent back with the jab, keeping him off balance, blocking his vision and setting him up so you can create openings and move in to control the bout.
3. Vary the speed of your jab and the placement (moving it up and down) so your opponent cannot time it; this will confuse him.
4. Thrown in multiples the jab can be effectively used to block your opponent’s vision with the first punch and land the second or third (double / triple jab).
Tuesday, February 07, 2006
New Review: Tang Soo Do Black Belt Forms DVD
Master Song, Young Kil is a very technical and strong martial artist. The demonstrations of the forms and the instruction are top rate. His movements are crisp and there is a lot here that is very familiar from Taekwondo. The forms are different but the similarities in the Korean arts are noticable. There are strong hard movements combined with sharp footwork and a great sense of speed. I am not familiar with Tang Soo Do forms, so evaluating a black belt forms DVD is difficult. But I have a strong background in traditional martial arts and I have to say that Song, Young Kil is the real deal. These are not "showy" forms, set to hip hop music. This is real traditional martial arts.
If you are looking for strong and straightforward forms training in Tang Soo Do, this DVD is for you. No frills, but filled with content. This DVD is a great purchase for a new blackbelt or an advanced martial arts who would like a solid reference for home study.
Monday, February 06, 2006
Martial Arts Speed Training: How many reps?
Friday, February 03, 2006
Changing your plans mid-way is not a sign of defeat, it's a sign that you have found a better way to go about something based on knowledge you didn't have when you started out.
Tuesday, January 31, 2006
Where should you look during sparring?
"For the past several years, I have suggested to my karate and police students that they focus their gaze at their opponent’s chin and shoulder area. If you draw a line from your opponent’s right shoulder to his left and then a line from both shoulders up to his chin, the lines form a triangle. When you look in the area of the triangle, you can see and perceive everything he is doing. You don’t have to look down at his feet because you know they are directly underneath his shoulders (unless he has a really weird body). When he begins to throw a lead roundhouse kick, his lead shoulder lifts slightly and his rear shoulder dips. When he begins to throw a reverse punch, his rear shoulder rotates forward. You can even perceive his toes wiggling when looking at his triangle."
Friday, January 27, 2006
Does a vegetarian diet affect martial arts training?
Simply being vegetarian does not effect your stamina and muscle tissue repair, but too low of a protein intake will. Protein is the building block for your muscle which is damaged and broken down every time you work out, so therefore is a vital part of your daily food intake.
There are many very healthy alternatives if you do not wish to eat meat, fish, fowl, dairy products or eggs. Beans, nuts, tofu, and lentils to begin with have necessary protein from a non-animal source, but the addition of dairy products or even eggs would greatly increase your protein intake. Cheese, yogurt, ice cream, cottage cheese, milk, etc. are good sources of animal product, but not animal, alternatives to eating meat. If you are a vegetarian and a martial artists, I suggest you look at your diet and re-evaluate your protein intakes and adjust them as necessary.
Wednesday, January 25, 2006
New Book Release: Martial Arts Injury Care and Prevention
Expanded strength and conditioning section:
- 12 additional upper body stretches
- 7 simple tests to gauge your fitness level
- 24 essential core strengthening exercises
- Weightlifting for conditioning
- Core strengthening TotalGym workout
- 25 strength-training exercises for the Swiss ball
- Weight training with dumbbells and free weights
- Resistive band exercises for strengthening and rehab
- Plyometrics overview
Expanded taping and wrapping section:
- Using protective padding on the feet
- Taping the Achilles tendon, knee joint, elbow and heel
- Wrapping the ankle, thigh, hip and shoulder
Added information on first aid:
- wound care
- treatment of lacerations
- skin infections
- hip and groin injuries
- shoulder, elbow, wrist, finger and thumb injuries
- torso injuries
- dehydration
New chapter about pregnancy and the martial arts
Updated scientific research and medical information
Over 150 pages and 300 photos added
Kickboxing Strategy: Close Range Fighting
The difference between the inside and outside is that the inside is a total power game, a seek and destroy kind of a game. A good inside fighter generally equates to a power fighter. On the outside, the jab is the dominant technique. It may therefore appear as though outside fighting is more strategic. But all the principles that apply to outside fighting also apply to inside fighting. When you get to the inside with a good defensive fighter, you can’t just punch away and hope to win. There has to be some method to your madness. You must vary your rhythm, timing, and strike patterns. For example, on the outside, you may jab high and throw a rear cross low. But on the inside, you may throw an uppercut to the head to open up the body. There are specific techniques which are more appropriate at close quarter range, such as hooks to the body, uppercuts, tight hooks to the head, short jabs and crosses, and overhand strikes. These inside techniques tend to favor power and allow for a better body attack. On the outside, you can land a lot of strikes to your opponent’s centerline. But on the inside, you can be successful with both the center and sides of your opponent’s body.
Monday, January 23, 2006
What is Dynamic Tension?
Dynamic tension is a simple, but highly effective way for your muscles to gain power and increase size by working against other muscles in your body. You control the tension by increasing or decreasing the amount of resistance you apply. The exercises are considered progressive because you continuously increase the tension as you progress in strength.
Dynamic tension has been an important supplemental exercise in the martial arts for many years. It defines the word applicability because it develops power from the starting point of a technique and all along its track. This is called “specificity of movement,” meaning that you exercise the exact muscles you want to increase in power and size.
You can do dynamic tension as a supplement along with your weight training, by itself at the end of your martial arts workout, or on those days you don’t train in your fighting art. If you normally lift weights but for whatever reason you can’t for a while, dynamic tension helps maintain your weight-trained gains.
Thursday, January 19, 2006
Is Stretching the same as Warming Up?
DVD Sale: Save $10 on Select Titles
View the full list of DVD sale titles
Wednesday, January 18, 2006
New Wing Chun DVDs available
Wing Chun Footwork DVD
Wing Chun Punching DVD
Wing Chun Palm Techniques DVD
Wing Chun Elbow Knee and Foot Techniques DVD
Coping with Blisters on the Feet
For blisters of the foot you can aid in the healing process and help toughen your feet up by one of two methods. The first is to use an ice bath (ice and water in a bucket) and add a substance known as povidine or Betadine®. This is done by adding one part povidine solution to ten parts water creating a ten percent solution. Soak your entire foot in this ice bath and solution for ten to twelve minutes, one to two times per day until the blisters heal and begin to toughen.
A second method is to simply replace the povidine solution with household bleach, in the same one to ten ratio, creating a ten percent bleach solution and soaking in the ice bath with bleach solution for ten to twelve minutes, one to two times per day. Both solutions will temporarily change the color of your skin, with the povidine giving a slight orange tint, whereas the bleach may lighten the skin a little. Once again, be cautious with children under the age 8, and those athletes with known skin allergies or sensitivity as they may have a reaction to these solutions.
Tuesday, January 17, 2006
Rare Kung Fu Wushu Competition Footage
Monday, January 16, 2006
Just released: World Taekwondo Hanmadang 2005 DVD
Thursday, January 12, 2006
Bargain Basement Books Delivery
Relative Distance in Fighting
Real distance is determined by the absolute measure of distance from one point to another. However, this objective measure works only in a world where all people are physical and mental equals. Since this is unreasonable, you cannot rely on real distance alone to determine your combat strategy.
Relative distance is used to account for the many mitigating factors of actual combat including:
- Skill level
- Mental toughness
- Speed
- Size
- Types of available weapons (bodily and environmental)
- Vulnerability of targets exposed
- Type of techniques available
EXAMPLE: In neutral and long-range combat, you use speed to initiate an attack. However if your opponent is faster than you, you will easily be countered before you complete the attack. If you are faster, then your relative distance to the target is shorter but if your opponent is faster than your relative distance is longer.
Wednesday, January 11, 2006
Proper Breathing Techinique
To maximize every breath, he suggests practicing deep abdominal breathing. "Breathing should be accomplished by allowing the abdomen to inflate like a balloon creating the sensation of air being pulled deep into the lower body. When you have reached a maximum comfortable breath, press the air even further down towards the pelvis by tensing the abdomen slightly. Expiration is then accomplished in a gradual, controlled manner. Keeping slight tension in the abdominal muscles, the air is slowly released."
When breathing, he recommends using the nose, not the mouth. "All breathing should be done through the nose with the exception of when vocalizing as when a martial artist performs a kiai. Nose breathing is most efficient for oxygen delivery and preserves the moisture of the airways. This becomes extremely important when involved in lengthy, dehydrating workouts."